For more than 40 years Martin Carthy has been one of folk music’s greatest innovators, one of its best loved, most enthusiastic and, at times, most quietly controversial of figures. His skill, stage presence and natural charm have won him many admirers, not only from within the folk scene, but also far beyond it. Trailblazing musical partnerships with, amongst others, Steeleye Span, Dave Swarbrick and his award-winning wife (Norma Waterson) and daughter Eliza Carthy have resulted in more than 40 albums, but Martin has only recorded 10 solo albums, of which the much anticipated Waiting for Angels (Topic TSCD527) was the latest. Whether in the folk clubs (which he continues to champion), on the concert stage or making TV appearances (he was the subject of the acclaimed `Originals’ music documentary strand on BBC 2) – there are few roles that Martin Carthy hasn’t played.
He’s a ballad singer, a ground-breaking acoustic and electric-guitarist and an authoritative interpreter of newly composed material. He always prefers to follow an insatiable musical curiosity rather than cash in on his unrivalled position. Perhaps, most significant of all, are his settings of traditional songs with guitar, which have influenced a generation of artists, including Bob Dylan and Paul Simon, on both sides of the Atlantic.
Eliza Carthy is undoubtedly one of the most impressive and engaging performers of her generation. Twice nominated for the Mercury Prize and winner of innumerable other accolades over a 20 year career, Eliza has performed and recorded with a diverse array of artists including, Paul Weller, Rufus and Martha Wainwright, Patrick Wolf and Bob Neuwirth. More than most, Eliza Carthy has revitalised folk music and captured the most hardened of dissenters with intelligent, charismatic and boundary-crossing performance.
Price: £17.50 adv (inc. booking fee)
Sheffield City Hall